We Dream the Dream Dreaming Us
by Brian Tierney
You say we should wait--
It must have snowed all night or season,
we don't seem to know
and there isn't a clock.
I say then
we should
wait, I
trust you.
The page is blank outside.
we haven't heard in days.
There is not enough time for a whole new plot.
Inside, the wax dilates.
We sit in the dark
and wait.
and are separate,
but looking at each other--
Brian Tierney is the author of Rise and Float (Milkweed Edition, 2022).
A former Stegner Fellow and the recipient of the 2018 George Bogin
memorial Award from the Poetry Society of America. He lives in
California, teaches poetry at the writing salon.
Perspective
The Wound
The Wound Like the debt we try to avoid in the sea of exposure, it usually lurks in the dark and hits you when you don't see it. It appears raw, gaping mouth of a roaring bear; silent menace. Rebukes you for your negligence. As the days pass, it shrinks a bit, but the danger still percolates within. Eyes on your patience like an enemy in ambush. the wound slowly closes, shaking head in the blue tremble, lesson learned hard way. we, at times; no fools do it no fools way. Still, it is the spider in the web, and we are the wise victims of the night. ©Byung A Fallgren

Gogyohka sequence
For the Spring Sun walleye in the river plays jumping & jumping for the spring sun Spring Grass in the helmet of morning dew the blade prepare for the seasonal allergy Countryside sentiment afternoon ride countryside where pronghorns roaming how wonderful to share with them this moment wire fence by the road weatherworn but decorated with an old cowboy boot ©Byung A Fallgren
Five Haikus
Five Haikus calves on the pasture taking naps by their mom's side prime time for the cows upturned soil of field gets the nod of nearby oil pumps a rich cowboy's dream gas stations everywhere displays the high price of fuel games of useless war a new bouquet at the tombstone in the cemetery a raven on the bench guitar in the case sees the clumsy old fingers spring reverie ©Byung A Fallgren

At the Spring Dawn
At the Spring Dawn
Angelina Weld Grinke
I watched the dawn come,
Watched the spring dawn come,
And the red sun shouldered his way up
Through the gray, through the blue,
Through the lilac mists.
The quiet of it! The goodness of it!
And one bird awoke, sang, whirred
A blur moving black against the sun,
Sang again--a far off.
And I stretched my arms to the redness of the sun,
Stretched to my fingertips,
And I laughed.
Ah! It is good to be alive, good to love,
At the dawn,
At the spring dawn.
(At the Spring dawn appeared in Negro Poets and their
poems in 1923.) Angelina Grinke, born in Boston February 27,
1880, was a journalist and poet. Her work was collected in
several reviews and anthologies. She died October 1958.
Voices of the Night Air
Voices of the Night Air The night is still as the house in the painting, but many sounds eco in the ears; voices of wind; like the silent cry of the stars. Absent voices of sane dream, like the snow field in the calm winter nights. Or, is it still there but the ears? Why the vain search? Empty the ears, sing a song for the new door in the mist. A sudden voice: who? who? ©Byung A. Fallgren
Some Rich Person
Some Rich Person is me with some pennies in safe. A dying rich man offered me a gold, if I divorce and remarry after he's in heaven, which I stepped aside and let it pass, for I am rich with some pennies in safe, with my hubby who ends every spoken words with a chuckle, and pukes at a party. A distant sis says she'd share her fortune, if I 'pologized her and ask. Sorry blooms in my garden all season, but ask for more than a penny doesn't. You can throw a square line and choke me, but it would be vain; better toss a little silver you don't need; for me to find love and all. ©Byung A. Fallgren
Spring Haiku
Exodus
Exodus by Effie Lee Newsome Rank fennel and broom Grown wanly beside The cottage and room We once occupied, But sold for the snows! The dahoon berry weeps in blood, I know, Watched by crow-- I've seen both grow In those weird waters of Dixie! Exodus appeared in the Crisis XXIX, no. 3 (January 1925.) Effie Newsome, born January 19, 1885, in Philadelphia, was a poet from the Harlem Renaissance movement. She's the author of Gladiola Garden, Poems for Second Grade Readers, published many poems in the Crisis, and other leading journals from the Harlem Renaissance. She died in 1979.
Climate
Climate
by Meghann Plunkett
It felt familiar, your mouth moving
up my side like gale warning. My
arm calico-mammatus clouds--
Blood brought to the surface.
Now I understand my childhood
home. Releasing shingle after shingle
into brutal air. Our front door
torn and flat in the yard. Violent
gusts whipping through the marshes--
the back of your hand.
of what I have unlearned
this was the hardest.
One sandpiper singing
still, desire does not have to leave you ruined.
Ms. Plunkett is the winner of the Missouri Reviews Jeffery
E. Smith Editors' Prize and Third Coast Poetry prize.
She works as a television writer on various Trip the Lights
and Shondaland production.
