Faces of Autumn

Faces of Autumn

We reflect myriad of colors of faces
we have perceived in the passing season,
like a broken mirror does in each 
pieces as our leaves turn many hues of
red, gold...
with full of emotion;

disturbed by the voices of stones
that ignore very essence of law of
Nature, being, living, which echoes 
in our red leaves.

She rides in the September sunbeams,
in the smile of brave ones. We cheer the
broken hearts, despaired, which mirrors 
in the scent of Mother, in our golden leaves,

fallen, gather beneath it the ambitious ones,
enrich the ancient beds,
as the young forest creatures grow and
fatten for the coming winter, as 
the trees recite the story of the autumn night. 

This was published in The Avocet Fall 2020 issue.
Also, this appeared here in the past. 

©Byung A. Fallgren

Wail

Wail
Johnson Cheu
    for the young who ask, "How did you learn 
                                            to like yourself?"

There are glaciers, imposing , yet shrinking.
There is the iris, violet sky cradling shares of sun.
The white Bengal tiger, snow and black inky.
Infinite reasons I could give for gladness,

though some may salve the wound from which
your question arises, how to be glad to be alive?
Stitch your hearts fissure: recall family, friends,
a slap, cigarette burn, the rod something searched

down, or welled up in your darkened pupil.
Turn outward: two A. M. streets, creeps in cars,
the chaos of human folly delivered by calm,
coiffed news anchors. The wound is within you

and not. The answer within you and not.
Want, comfort, desire, love ought not be wounds.
We pine for them from our first wail,
what you must give and take, till no voice is left.

Johnson Cheu is a poet and assistant professor in the
department of writing, rhetoric, and American culture 
at Michigan State University. 






Breath for Metal

Breath for Metal
Ching-In Cheng

This is a story
I've kept in soft
orange inside
my steel body. I've wanted

to wait until I've 
cooled to hum, until
my touch wouldn't burn.

I've practiced to gentle 
      not to be odd. To remember
me a calm line transmitting not artificial

sugar smile melts a rainy spring I don't want
to feel a tug   you wait again for what's 
     dissolved into scent for this week. 


Ching-In Cheng is a trans/gender queer and
fewer Chines American poet. They are the authors of
recombinant (Kelsey Street Press, 2017), winner of 
the 2018 Lamba Literary Award for Transgender Poetry, 
an assistant professor at the University of Washington 
Bothell, Chen lives in Lake Forest Park , Washington on
Snokomish lands.        

Moth-like

They argue like they breath.
Just because the light is there
doesn't mean the door to her room 
is open.
shock from the hot bulb that
knocks him down to the hard wood.
Slowly recover senses.

In evenings, it happens again;
her patience, limited. 

Burn-wound;
regret; exhaustion;
no word heals it.

a drop of morning dew; her tear
before she left; encouragement;
he rises;
but for how long? 

©Byung A. Fallgren

Taking back the abandoned

Taking back the Abandoned

Grabbing the empty shopping cart, I heard
the voice behind me: take this, still warm.
I turned to see the man whom I unfriended 
on Facebook grinning.
Oh, sure. I took the cart and 
the heart softened, followed him to the register.
Would you like a free copy of my new book? 
He just smiled and said, 
someone is following you.
My husband greeted him and, together,
they started chatting like old pals.

Hard words can dissolve over time;
garden of life can bloom more often 
depends on the green thumb of
art of life. 

©Byung A. Fallgren