Ocean Water Dasha Kelly Hamilton The ocean pushes back Alive and vigorous The heritage of habitat Leans against expectation Muscles its due respect Without regard Without warning Without reorienting the ones With swimming perspectives Limitations of consistent temperature and painted cement walls The ocean rumbles its sovereignty Full weight of freedom on my skin. Dasha Kelly Hamilton is a writer and performance artist. She is National Rubinger Fellow and currently Poet Laureate for the city of Milwaukee and the State of Wisconsen. In 2021, she received an Academy of American Poets Laureate Fellowship.
Author: Byungafallgren
Most of Wyoming Trees, the lesson
Most of Wyoming trees, the lesson (Gogyohka Sequence) in April still asleep shivering in the wind like the children in the war-torn land in May start budding or flowering like just awaken lazy person in a hurry sudden snowstorm blankets the flowering trees shuddering at the unexpected after storm passes dazzling smile Wyoming trees' lesson: face the disaster be patient then rebound ©Byung A. Fallgren

Free Haiku
The Doe, Sleep Aid, Rattle
Windy Backyard Wisdom

Windy Backyard Wisdom
Winds blow over
the white and green,
cascades from the hill
to the open, rippling in
silver gray, in hopes,
raise them into the air
and blow them away.
But they stay formidable,
roots in the soil,
like the stubborn youths’ will
to keep their land,
rebel against the invaders.
The ripples grow to sea waves,
claw the florets and blades, in vain;
the wings mean to fly,
the roots mean to stay,
like the incompatible lovers.
©Byung A. Fallgren
being a good company
The Weekly Avocet, with the six poems
My six poems appeared in this journal: Spring Pasture; Learning the eyes of Sky,
turtles; Dandelion & Iris; For the Spring Sun; Spring Grass; Spring Tree Song.
Thank you, Charles, Vivian, and Valerie for taking these poems.
–Byung A. Fallgren
Inside me, a family
Inside me, a family by Ching-In Chen born from small waters. Each night, I look for a paper to feed this first litter from a slow continent. New trappers buy their fetters and hooks, dreaming of new skin to drape. In the sky, a wound like river, opening up again to bird. Neighborhood pushes against seams, dislikes a newcomer. This linked to history and forgetting-- a new gray house like a weed. A monument rises past the window. We sit and drink twice-steeped tea. Ching-In Cheng is the author of Recombinant (Kelsey Street Press, 2017) and The heart's Traffic (Red Hen Press, 2009). A Callaloo, Kundiman, and Lambda Fellow, Assistant professor in the School of Interdisciplinary Arts and Science and MFA in creating and Poetics at the University of Washington.
View on the side of the road, a Message
View on the side of the road, a Message Silver sky and the land join in the sea of smog; Submerged, the wind turbines wave their arms, Like the drowning octopuses. Drying lake gives her way to the green invaders, Like old soldiers with no weapons. Hope the smoke will dwindle with winter's arrival; Dried lakes will begin to refill As the irrigation stops in October. In the smoke, the wind turbines point fingers, As we panic at the foot of crumbling hills, Fumbling on the sea of plans. They say eventually Nature replenishes what it has lost, But she cannot revive the perished creatures; Polar bears, beavers, and others may live only In the children's story book. We can reverse that, can't we? ©Byung A. Fallgren



